Scales + Arpeggios on Bebop Dominant Scales

Most jazz piano students can play their scales. The problem isn't the notes, it's that the lines don't go anywhere. They sound like exercises because they only do one thing: land. Real jazz lines are constantly doing something else too, moving toward the next chord tone with a sense of purpose and forward pull. That's what separates a solo that feels alive from one that just sounds correct.

This Friday's members workshop teaches you exactly how to build that motion into your lines. We'll start from the ground up, showing how arpeggio motion works as a gesture aimed at a target, then combining it with the bebop scale technique from last week to create phrases that move and land the way real jazz solos do. If you've ever wondered why your lines sound like scales even when you're doing everything right, this is the session.