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A Proven System to Play Jazz Piano

Jazz-Library gives you a method that tells you exactly what to practice, how to practice it, and how to know when you've mastered it.

The RPM Method

Research, Practice, Master.

I've met so many new members who have read all the theory books, watched all the videos, bought all the programs, and yet, still can't play. RPM is what bridges that gap.

RPM is the method behind everything we teach. It teaches you jazz theory, and turns that knowledge it into music you play fluidly and naturally, without having to think about it.

  • Research is where you learn the concept. You watch the lesson, understand what you're working toward, and get clear on the technique before you touch the keys.
  • Practice is where you drill it. Each concept becomes a specific exercise with focused repetition that isolate the skill. At this point, we're just learning about how the technique sounds, and how it feels to play those sounds.
  • Master is where it becomes music. You apply the concept inside of real jazz standards and make music with it. This is where the work pays off. By applying each new technique in different songs and situations, it starts to become part of your language as a musician.

RPM is a cycle. Each concept we work on together goes through this process. We track our practice sessions in a log, so that over time we can see and acknowledge how much we've learned.

Students tell me over and over that RPM made the biggest improvement in their playing.

The Video Courses

The courses are the curriculum. Each one targets a specific concept or skill, structured around the RPM cycle. You work through them at your own pace.

Jazz is a personal journey, not a linear checklist. There's no single path that works for everyone. What the system does is help you identify where to start and close the gaps in your fundamentals, whether you're brand new or coming in with years of experience.

Friday Live Workshops

On Fridays, members come together as a group for a live session on Zoom. Josh teaches something new, everyone works through it together, and you hear how other members at your level are approaching the same material.

Each session is built around one concept. Josh demonstrates it, the group plays through it together, and you see exactly how it connects to real standards. There's something that happens in a live group setting that a recorded lesson can't replicate. You hear yourself in real time. You adjust. The concept lands differently when you're working alongside other people.

Members who show up consistently make faster progress. That's just what happens. You have something new to work toward each week, and the group keeps you honest about whether you showed up or not.

Every session is recorded. If you can't make it, the replay is in the archive.

Tuesday Office Hours

Tuesday connects directly to Friday. This is where you bring back what you've been working on.

Show what you practiced that week. Get a specific question answered. Play something for the group and hear honest, encouraging feedback. Josh listens to what you're doing, tells you exactly what he's hearing, and gives you something concrete to work on before next Friday.

The accountability is the point. You know you'll play for the group each week. So you practice. It's a safe space, everyone there is on the same journey and the vibe is supportive. But the friendly stakes are what make it work.

The Community

Every member gets access to the Jazz-Library community. It's the place to hang out with people who are on the same journey you are.

Share a recording you love. Ask a question. Post a clip of something you've been working on and get real feedback from people who actually play. Follow along as other members show their progress.

Most people learning jazz are doing it alone. The community is where that changes.

The 90-Day Path

The system is designed to take you from wherever you are now to playing through a jazz standard in 90 days including melody, chords, and a simple solo. That's what it's built for, and it's what I see happen when members put in the work consistently.

This isn't a guarantee. Jazz takes time and you have to show up. Thirty focused minutes a day, five days a week, is what it takes.

If you put in 30 days and decide Jazz-Library isn't the right fit, email me. I'll refund every dollar, no questions.

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